Category Archives: al Durah Affair

Fatal Attraction: The shared antichrist of the Global Progressive Left and Jihad

The following is the text of a talk I gave at ISGAP last week.

Imagine all the people…

Imagine there’s no countries

It isn’t hard to do

Nothing to kill or die for

And no religion too

Imagine all the people

Living life in peace…

You may say I’m a dreamer

But I’m not the only one… (John Lennon, 1971)

And now,

Imagine there’s no countries

It isn’t hard to do

Something to kill and die for

And one religion too

Imagine all the people

Living under our peace…

You may say we’re dreamers

But we’re not the only ones… (Jihadi Joe, 2000)

Welcome to the 21st century.

The Jihadi Apocalyptic Narrative: World Conquest and the Great and Little Satan

Despite the spectacular attacks on the West, most Westerners have little familiarity[1] with the Jihadi narrative, a narrative first revealed in Khoumeini’s Iran.[2] It varies significantly in some ways from traditional Muslim apocalyptic thought, which focused on a Last Judgment at the end of the world. Instead, this apocalyptic scenario focuses on a this-wordly messianic era, envisioned as the global victory of Islam: when all of Dar al Harb becomes Dar al Islam.[3] Those who join this movement fight in an apocalyptic battle in which the Jews will be slaughtered, and the rest of the harbi, would convert, accept the dhimma contract of submission (religions of the book), or become slaves (pagans), or being put to death[4]: a “Second Global Islamic Kingdom,”[5] only this time, really encompassing the whole world. In the battle, no mercy should be shown to those who resist Islam’s dominion. Everything to kill and die for: suicide martyrs goes straight to heaven; their victims, straight to hell.

Lethal Journalism, Middle East Style

The practice of lethal journalism participates in the larger category of passing off war propaganda as news, has a long history, and a long future. Lethal journalists take the stories that belligerents create to demonize the enemy – especially the accusation of deliberately killing innocent civilians even children – and present them as news.

In the annals of the long history of running war propaganda as news, rarely if ever, have journalists consistently over an extended period of time, passed off enemy war propaganda as news. And yet that behavior, a kind of “own-goal journalism” marks the dominant school of journalism during the period of the opening years of the 21st century. And although it eventually spread far beyond the Middle East, that lethal reporting began and took shape in covering the conflict between Israel and her neighbors.

This peculiar combination of base war propaganda persistently repeated as news by a target of that propaganda – I’d like to call DuraJournalismBut throughout this essay, when I use the more generic “lethal journalism” I make reference to this eccentric Levantine phenomenon.

Identifying and redressing this problem seems like a high value goal, especially in the cause of strengthening a free (hence accurate) news media at a critical moment in the history of those modern nations, “so conceived and so dedicated.”

The key to this journalism is the delivery as news of an implicit (preferably explicit) accusation of deliberate killing – murdering children,targeting  civilians, or, in the words of the Goldstone Report, deliberately “punishing” civilians with “disproportionate” response, possibly constituting “crimes against humanity.” Lethal narratives constitute the basest form of war propaganda, especially when the stories are largely invented. It seeks to arouse hatred and a desire for revenge by convincing the target audience (recruits, observers), that the designated enemy deserves the violence you wish to visit on him.

The term “lethal journalism” designates the practice of those journalists who take a systematically credulous stance towards Arab lethal narratives about Israel, which they then pass on to us, their readers and listeners, as “news,” or at least, as perfectly believable claims about what has happened. Maintaining such a discourse necessitates playing fast and loose with evidence, ignoring and dismissing anomalous details, playing up dubious ones. It leaves a distinct Augean trail where it passes.

Since all wars have their lethal narratives, and all war-makers want to enlist journalists in spreading theirs, examples of lethal journalism can be found throughout the history of the press in war. Indeed, it’s an obvious need for democracies founded on peaceful relations, to have a press that can accurately identify false evidence, especially in the service of lethal narratives, and report on that war propaganda, rather than become an instrument of that propaganda. The fact that Western media have done so badly for over fifteen years, suggests the extent of the media’s “credibility crisis.” The most trusted news source – Fox! – 29%. Democracies cannot survive such dysfunctional relations between the news media and their public.

Suicidal Mainstream News Media: Outsourcing Anti-Semitism to European Jihadis

The following is a (long version) of the paper I present at the European Union Studies Association, meeting at the Hyatt Regency in Boston, on Friday, March 5, 2015. An abbreviated version in Polish here by Malgorzata Koraszewska who posted it at her blog.

Suicidal Mainstream News Media:

Outsourcing Anti-Semitism to European Jihadis

An alarming development occurred this last summer, at least from the point of view of people who believe in the post-Holocaust consensus about human rights and free societies in a peaceful global community, for those who believe that Nie Wieder would the madness that generated World War II return to invade European culture. This summer, throughout Western Europe and Scandinavia, gangs of crudely armed rioters ran through the streets shouting “Hamas! Hamas! Jews to the Gas!…”; “Death to Jews! Slit Jews Throats!” This proliferation of sometimes deadly attacks on Jews has convinced some observers that at current rates of open hostility, Europe will have no more Jews in little more than a generation.

In 2000, when the European Union looked forward to a new period of global prominence – one book title read Why Europe will run the 21st centuryif you had told the leaders of the French, or any other Western European democracy, that in the opening decades of the 21st century, increasingly unrestrained Muslim Jew-hatred would drive Jews from Western Europe, they would have mocked your alarmism. Unthinkable! Impossible! Ridiculous. Islamophobic.

How did this happen? And what does it portend?

I can give you the five minute version and you can leave if you wish:

Le plus grand gagnant de l’opération perdante-perdante “Bordure Protectrice”

Le plus grand gagnant de l’opération perdante-perdante “Bordure Protectrice”

Dans l’univers à l’envers de la politique du Moyen-Orient, rien ne réussit comme un échec sur le champ de bataille et rien n’échoue comme un succès militaire. Alors, qui a gagné la guerre de Gaza ?

Traduction par Isabelle Sfez de l’article publié par American Interest le 04 septembre 2014

Une traduction polonaise par Malgorzata Koraszewska est aussi disponible.

Après des semaines passées à suivre les combats dans la bande de Gaza, les experts se posent maintenant la question : «Qui a gagné?”. Le Hamas revendique des points juste pour survivre, malgré le pilonnage massif que son leadership et ses structures ont subi, et certains experts disent qu’Israël (1), quels que soient ses gains sur le champ de bataille, a sérieusement perdu la “guerre cognitive”. Dans l’univers à l’envers de la politique du Moyen-Orient, rien ne réussit comme l’échec sur le champ de bataille et rien n’échoue comme le succès militaire.

Parmi les joueurs auxiliaires, il ya des perdants partout. La crédibilité de journalistes a été dangereusement endommagée. Le Conseil des droits de l’homme et les ONG des « droits de l’homme » ont été honteusement partisans; le secrétaire d’Etat des Etats-Unis John Kerry et le président Obama, étonnamment naïfs et maladroits; la gauche intellectuelle, honteusement d’extrême-droite (2), dans son adoption du discours antisémite. De nombreux analystes s’accordent pour dire que l’opération Bordure Protectrice (OPE) n’a produit que des perdants, et parmi eux de grands perdants (3).

Pourtant, un groupe sort gagnant de l’Opération Bordure Protectrice : les djihadistes européens. Pendant qu’Israël pilonnait un ennemi qui se cachait derrière des civils, des manifestants ont occasionné de graves débordements dans les rues, en Occident et des villes musulmanes dans le monde entier pour protester contre le “génocide des Palestiniens par Israël,” (4), ils ont même crié « Mort aux Juifs ! ” et “Juifs aux fours ! ” et utilisé sur Twitter le hashtag #Hitlerwasright. Des magasins juifs ont été saccagés, et il a été refusé des soins médicaux à des juifs (5), ils ont été agressés lors d’émeutes (6). Les commerces juifs ont été boycottés (7). En Allemagne, le cri se fit entendre : “Hamas! Hamas! Juifs au gaz! ” (8). En France, c’était “Mort aux Juifs! Égorgez les Juifs!” (9) Alors que les médias minimisent la violence et la haine, que la police et la justice résistent mollement, les Juifs européens font leurs valises (10).

The Biggest Winner in the Lose-Lose “Operation Protective Edge”

The Biggest Winner in the Lose-Lose “Operation Protective Edge”

A shorter version (edited for tone and length) is up at American Interest. If you leave comments here, I recommend you also leave them there.

After weeks of combat in Gaza, pundits sort out “Who won?” The weak side (Hamas) claims points for just surviving, despite the massive hammering its leadership and its constituents endured, while the strong side (Israel), whatever its battle-field gains, lost the “cognitive war” — big time. In the topsy-turvy universe of Middle East politics, nothing succeeds like failure on the battlefield and nothing fails like military success.

As for the ancillary players, more losers all around: journalists’ credibility dangerously damaged; UNHRC and UNRWA behavior, embarrassingly partisan; Secretary of State Kerry and President Obama, astonishingly clueless and blundering; intellectual left shamefully right-wing in its embrace of anti-Semitic discourse. Consensus assessment of many analysts: Operation Protective Edge (OPE) has produced only losers and bigger losers.

Only one group emerged from OPE a grand winner: European Jihadis. During the weeks of Israel pounding Hamas while Hamas hid behind civilians, demonstrators spilled out into the streets of Western and Muslim cities the world over to protest “Israeli genocide of the Palestinians,” even as they shouted “Death to Jews!” #Hitlerwasright, “Jews to the ovens!” Shops ransacked, Jews refused medical services, attacked in riots, Jewish businesses boycotted. For Jihadis, OPE offered a whole new, and possibly permanent, level of public violence. In Germany: “Hamas! Hamas! Jews to the Gas!”; in France, “Death to Jews! Slit Jews Throats!” This time, the chant has become a battle cry for bands of “youths,” armed with metal bars, running after Jews. And European Jews are packing their bags.

In the Jewish diaspora community and Israel, the alarm was palpable. “Time to go?” asked Shmuel Trigano rhetorically about France. Why? Not only because once again, people killed and sought to kill Jews in the streets of Europe, but because the news media continually played down the amplitude of the violence and hatred, and the authorities, both police and judiciary, resisted it half-heartedly. In France, as in England, anti-Semites no longer hide; unafraid of police, they roam the streets like the brown shirts of yore. Is this the “beginning of the end” of a two-millennia-long Jewish presence in Europe?

Jihadis, of course, delight in these new levels of both hatred and violence. For them, it’s a quadruple win: 1) depict Israel as the Dajjal (Antichrist) to Western audiences; 2) roam through the streets of Western cities yelling Jihadi slogans; 3) accelerate the expulsion of Jews from Europe as preparation for its conquest; and 4) keep the Europeans thinking this violence only targets Jews, and only because of Israel. For Jihadis, these past weeks confirm what they have long believed: that this is the Muslim century in which, among others, Europe joins Dar al Islam.

How did this happen? How did it get so bad before we noticed it? Are we observing changes of civilizational magnitude?

Global Consequences of Lethal Journalism: The Muslim Street

Victor Perez dévoile la malhonnêteté d’Enderlin et son anti-israelism

Charles Enderlin posted at his blog an essay on “Netanyahu’s Vision,” which reveals all the sloppy prejudices that he has internalized from an international consensus that it’s all Israel’s fault. Victor Perez at his blog, manages to draw out many of the elements the explain why Charles’ readership is so fully misinformed.

La vision idéologique de Charles Enderlin

Certains s’interrogent sur les raisons de la poussée de l’antisémitisme en Europe et principalement en France. Une hostilité systématique envers les Juifs cachée sous le paravent d’un anti-sionisme développé dans les médias nationaux par la bouche et/ou les écrits des journalistes à demeure, ou envoyés, en Israël.

L’envoyé permanent de France 2 à Jérusalem, pourtant juif, israélien et, paraît-il, ayant fait son service militaire ne déroge pas à la règle de ses employeurs. Charles Enderlin en bon petit soldat de la guerre larvée qui se joue contre l’Etat du peuple juif a une idéologie à soutenir.

La logique et le bon sens ont, vraisemblablement, déserté sa réflexion !

Dans un texte intitulé « La vision de Netanyahu », publié dans son blog, il confirme que tout le mal vient des Israéliens ! Il nous affirme qu’il « sera quasi impossible d’évacuer cent mille colons installés au cœur de la Cisjordanie, les 260000 autres étant regroupés dans des blocs d’implantations. En admettant que cela se fasse, resterait le problème de Jérusalem Est (…) »

Terrorist chic en France, de l’exposition du Jeu de Paume, à Al Durah, à Mohamed Merah

Terrorist chic en France, de l’exposition du Jeu de Paume, à Al Durah, à Mohamed Merah

Une nouvelle exposition controversée célèbre les meurtriers de masse et élève la propagande de guerre au niveau de grand art.

Richard Landes – 30 juillet 2013

Traduction d’Isabelle Sfez

Pour consulter liens hyperliens, consultez l’article originale.

Cet été le musée national français du Jeu de Paume, en son temps célèbre pour ses accrochages de peinture impressionniste, héberge une étonnante exposition de photographies, Phantom House. Le travail d’une femme bédouine israélienne, Ahlam Shibli, rassemblant une série éclectique de photos qui dépeignent un certain nombre de groupes différents, dont les maisons ne sont pas les leurs, ou qui n’en ont pas – des gens qui “vivent sous oppression”.  Il s’agit de Bédouins “trackers” (pisteurs, traqueurs) qui s’enrôlent dans l’armée israélienne, de “palestiniens” vivant en Galilée et en Jordanie, d’enfants polonais dans des orphelinats, de militants LGBT du Moyen-Orient vivant dans des pays occidentaux, de français de Corrèze pendant l’occupation nazie, et, de loin les plus élaborés des séries de clichés, les familles de “martyrs” qui “résistèrent” à “l’occupation”, debout avec les photos, les affiches et les tombes de leurs proches “disparus”.

L’exposition a suscité une controverse prévisible. Ces prétendus “martyrs”, qui ont “pris le contrôle de leur propre mort”, objets d’une ardente dévotion par leur famille, sont en fait des meurtriers de masse qui se sont tués eux-mêmes dans le but d’assassiner le plus possible d’enfants, de femmes, de civils.

Comme la plupart des récits palestiniens, ces photos ne laissent aucune place à “l’autre”, exceptée celle de l’oppresseur colonial sans visage. Pour une femme juive, mécène du musée, l’expérience fut horrible. En regardant ces photos de “martyrs”, elle a reconnu ceux qui avaient fait exploser des restaurants, des bus, des marchés qui ont été choisis comme cible justement pour la présence d’enfants dans ces lieux.

Les réactions de protestations outrées affluèrent. La réponse du musée fut d’afficher un avis soulignant que cette exposition n’était pas de la propagande, et, à propos de l’artiste, précisant qu’elle n’était “pas une militante, qu’elle ne jugeait pas”.

Evidemment, tout cela est absurde. Si ce n’est pas de la propagande (comme la fameuse pipe qui n’en est pas une), c’est une exposition qui présente avec bienveillance des photos de propagande. L’artiste émet assurément des jugements, en présentant ses cousins bédouins qui servent dans l’armée israélienne, comme pathétiquement vendus à un régime colonial (ils apparaissent étonnement confortables et bien dans leur peau sur les photos), elle émaille son exposition de victimes françaises de l’occupation nazie, commentant la façon dont ils se retournèrent après la Libération et devinrent des oppresseurs coloniaux en Indochine et en Algérie. La parfaite admiration pour la “résistance à l’occupation” des Palestiniens, calquée sur celle de la résistance aux nazis, joue sur un thème commun, grotesque, de propagande palestinienne – que les israéliens sont les nouveaux nazis et les palestiniens les nouveaux juifs.

Surrealist France Disoriented: From Al Durah to the Jeu de Paume

The Tablet Magazine just published a piece of mine on France’s cognitive disorientation, most recently demonstrated by their putting an exhibit of Palestinian war propaganda (exaltation of suicide terrorists as martyr-heroes) in their first class museum, the  Jeu de Paume, with a sign saying, “this is not propaganda.”

Terrorist Chic in France, From the Jeu de Paume Exhibit to Al Durah to Mohamed Merah

A controversial new exhibit celebrates mass murderers and raises war propaganda to the level of high art

By Richard Landes|July 30, 2013 12:00 AM|Comments: 7

A poster of the exhibit ‘Phantom Home,’ by Palestinian photographer Ahlam Shibli, outside the Jeu de Paume museum in Paris, June 2013. (AP Photo/Remy de la Mauviniere)

This Summer the French National Museum, the Jeu de Paume, once famous for its display of Impressionist paintings, is hosting an astonishing photography exhibit,Phantom House. The work of an Israeli Bedouin woman, Ahlam Shibli, it assembles an eclectic series of photographs that depict a number of different groups whose homes are really not theirs, or who do not have homes—people who “live under oppression.” These include Bedouin “Trackers” who enlist in the IDF, “Palestinians” living in the Galilee and Jordan, Polish children in orphanages, Middle Eastern LGBTs who live in Western countries, the French of Corrèze during the Nazi occupation, and, in by far the most elaborate of the exhibits, the Palestinian families of “martyrs” who “resisted” the “occupation,” standing with the pictures, posters, and graves of their “disappeared” relatives.

The exhibit has elicited predictable controversy. These alleged “martyrs” who “took control of their own deaths,” the object of loving devotion by their families, are actually mass murderers who killed themselves in order to murder as many children, women, civilians as they could. Like so much of the Palestinian narrative, these photos give no place to the “other” except as faceless colonial oppressors. For one Jewish woman, a patron of the museum, the experience was horrifying. Looking at these pictures of “martyrs,” she recognized people who had blown up restaurants and buses, which were chosen precisely because there were children there.

Outraged objections poured in. The museum’s response was to post a notice that insisted that this was not propaganda and quoted the artist insisting that she was “not a militant, not judgmental.”

Of course, all of this is nonsense. If not propaganda (like the famous pipe that is not a pipe), it is a display of lovingly presented photographs of propaganda. The artist is decidedly judgmental, presenting her fellow Bedouin who serve in the IDF as pathetic sell-outs to a colonial regime (they appear strikingly comfortable and secure with themselves in the photos), peppering her exhibit on French victims of the Nazi occupation with comments on how they turned around after liberation and became colonial oppressors in Indochina and Algeria. The unalloyed admiration for the “resistance to occupation” of the Palestinians, juxtaposed with that of the French resistance to the Nazis, plays on a common, if grotesque, theme of Palestinian propaganda—that the Israelis are the new Nazis and the Palestinians the new Jews.


The editors cut my final sentence. Here in bold:

Thus, cognitively disoriented by both their media and their academics to such a degree, it is altogether possible for the curators at the Jeu de Paume to put up an exhibit celebrating mass murderers—and to believe that, in so doing, they were siding with the innocent and “speaking truth” to Israeli “power.” And so they raise war propaganda that targets their own culture to the level of high art. Little wonder that, even as they celebrate Palestinian Jihadis who make martyr-heroes of mass murderers, they remain willfully blind to the fact that the “jeunes” in their own Muslim communities are doing the same to their very own child-killing Jihadi, Mohamed Merah.


Karsenty-Enderlin Court Decision

Arrêt Cour Appel 26 juin 2013

Will provide translations of critical passages and commentary over time. Anyone interested in transcribing/translating the text or parts, please communicate with me.


Landes, “Save the Children of Palestine”: Talk in LA on Al Durah

I’ll be speaking in LA on the Al Durah affair, especially on its effects, the day before the French court’s decision. The title is meant both seriously and sarcastically (taken from an Al Awda subject line). Some people objected. I guess if I were to do it again, I’d call it “Save the Palestinian children”…

Please tell anyone who’s in the LA area whom you know who might be interested about the talk.

EVENT: Save the children of Palestine – with Richard Landes, June 25

– JUNE 12, 2013

The Israeli government recently issued a report in which they not only claimed the Israel Defense Forces had not killed Muhammad al Durah, but that there is no evidence in the video footage of his death. Almost thirteen years (too) late, many, even Zionists, considered this non-news. On the contrary, the lateness of the report reflects some startling issues that everyone, even those highly critical of Israel, need to consider. In fact, the long delay in Israelis response derived in part from an overwhelming consensus among journalists that “a boy died on camera,” which Israeli officials were reluctant to contradict without seeming like conspiracy theorists.

What makes this consensus that the boy died (and that the IDF killed him) so remarkable is that the empirical evidence decisively confutes the claims of the journalist who broke the story, Charles Enderlin, and the cameraman who filmed the event, and yet their claims have dominated public perceptions to this day, even though their “story” has been extraordinarily destructive not just to Israelis, but to anyone who favors civil society. Indeed, this may be one of the longest-lasting and damaging media hoaxes that the world has witnessed in the era of modern journalism.

This talk will look at the wide range of destructive effects this “lethal narrative” has caused, the reason why a school of lethal journalism, led by French-Israeli correspondent Charles Enderlin has been able to dominate the entire field of Middle East journalism for the last thirteen years… and counting, and what can be done to change the dynamics involved.

Richard Landes is a professor of medieval history at BU. His work focuses on the role of religion in shaping and transforming the relationships between elites and commoners in various cultures, in particular the impact of “demotic religiosity” which prizes equality before the law, dignity of manual labor, and access to sacred texts and divinity for all believers.

In 2011 he published two volumes, Heave on Earth: The Variety of the Millennial Experience with a final chapter on Global Jihad, and he co-edited a volume on the Protocols of the Elders of Zion with Steven Katz: The Paranoid Apocalypse: A Hundred Year Retrospective on the Protocols of the Elders of Zion, for which he wrote three chapters.

From 1996-2003, Landes directed the Center for Millennial Studies at Boston University.

He is currently completing the book he set aside in order to write Heaven on Earth, that is, a study of the role of millennialism in the shaping of the first thousand years of Christian history: While God Tarried: Disappointed Millennialism from Jesus to the Peace of God, 33-1033. At the same time he is writing a more contemporary book entitled: They’re so Smart cause We’re so Stupid: A Medievalist’s Guide to the 21st Century.

Landes has written and lectured widely on millennialism, especially in the medieval period, and more recently on the role of communications technology – from the invention of writing to modern media – in shaping public awareness and discussion, and, in some cases, in establishing and maintaining civil society. His work on the apocalyptic currents that built up during the approach to 2000 has led him to focus on Global Jihad as a) an apocalyptic millennial movement of exceptional destructive potential; and b) a new religious movement whose relationship to the internet may parallel that of Protestantism to printing.

In 2005 Landes launched a media-oversight project called The Second Draft in which he proposes to look at what the news media calls their “first draft of history.” Since January 2005 he has been blogging at The Augean Stables, a name chosen to describe the current condition of the Mainstream News Media in the West. When he has completed his book on medieval history he plans to write a They’re so Smart Because We’re so Stupid: A Medievalist’s Guide to the 21st Century.

History professor at Boston University and director/co-founder of the Center for Millennial Studies, who became involved in 2003 when, after reading James Fallows’ article in The Atlantic Monthly, he went to Paris where Nidra Poller introduced him to MENA’s Gerard Huber. Landes subsequently met with Shahaf and was shown the raw footage of the event by Charles Enderlin. Convinced that the entire scene was staged, Landes has produced a series of documentaries about the event entitled, According to Palestinian Sources: Pallywood, Al Durah, and Icon of Hatred.


Please join us for this important event.  Because the truth matters…

$15 per person – cash or check at the door

You can also register by email to [email protected]
(Please indicate Professor Richard Landes in the subject line)


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Haaretz to the world: “Us? Make an Error? The Day of Resurrection will come first!”

In his mea culpa, Shmuel Rosner talks about how he was one of the people I described as “attacking ferociously” the investigation set up by Yom Tov Samia and run by Nachum Shahaf. Now he regrets it, and in his honesty, raises many significant issues. On the other side, there are Arabs capable of appreciating the value for civil society of acknowledging the Al Durah icon of hatred, that injected a death cult into the culture, as a way to wake up from the nightmare they are now undergoing. He reports that in his talk with Gazans, many really wish their leaders would make peace with Israel, the Jewish state, so they live decent lives.

Haaretz, apparently, is still in scorn, smear and ridicule mode, as they were the first time round.

It’s a bit ironic on the part of Israelis to spit on good news about themselves, a trait I learned painfully to identify over ten years working on Al Durah with government spokesmen: Israelis – and especially those who had to speak on her behalf to outsiders – were completely psyched out by this story. And the people psyching them out were Charles – “I cut the horrible death throes, so don’t ask for the tapes” Enderlin, and his crowd of journalists at places like Haaretz and the Guardian who set the lethal tone.

If one considers the Al Durah “lethal narrative” as a version of the Emperor’s New Clothes, with Abu Rahma as the tailor, Enderlin as the Chamberlain, and the news media as the court, and, small but significant variant, instead of a silly and vain, naked emperor, this procession bears aloft an icon of hatred that’s a major recruiting device for global Jihad and the branding of Israel as Nazi.

Israel and Israelis, for 13 years, willy nilly, have participated in this lethal procession that targeted her. Finally after a decade of consensus building, a government committee breaks free of this suicidal madness with a report that states the obvious, and reporters from Haaretz heap their co-citizens with scorn for doing so. In the history of suicidal cultures, early 21st-century Haaretz will hold a special place.

Wonders never cease

Oudeh Basharat Haaretz | 04:34 26.05.13 |  1

There’s, of course, an interesting problem here. Oudeh is an Israeli Arab, indeed a prominent member of the Hadash (Communist) party. In the framework of the alliance (marriage?) of pre-modern sadism – “you (the other as enemy) are horrible” – and post-modern masochism – “you (the other to be embraced) are right,” – it’s important to ask if his voice represents the commitment to not being partisan that we hear, for example, in Shmuel Rosner’s reflections, or the voice of a lethal narrator?

Here, it seems quite clear that Haaretz has given the microphone to someone who defends his lethal narrative with unrelenting sarcasm.

Dear committee members, as you wish, Mohammed al-Dura wasn’t killed; he’s safe and sound and hiding somewhere. But what about the 951 children that human rights group B’Tselem says were killed during the second intifada?

There hasn’t been anything like it since Jesus resurrected Lazurus at Bethany. It turns out it’s not only God who can “give life to rotten bones,” as the Koran puts it. Israeli investigative committees have taken this task upon themselves.

The only reason that Oudeh can play this card is because journalists were stupid enough to be fooled by a cheap fake in the first place and now don’t want to admit they were taken for fools. So now, given this overwhelming consensus of fools, he can pretend that calling this stupidity/malignity into question, is the equivalent of raising the dead.

Al Durah (Lethal) Journalism Thrives at Open Zion: Al Durah Incited Hatred? Absurd!

One of the more interesting spectacles that has arisen since the Kuperwasser Report has been the range of reaction, which pretty much separates the lethal journalists holding on to Al Durah as a dog does a bone on the one hand (most of whom have not examined the evidence), and those who, in terms of what “intellectual” first came to mean during the Dreyfus Affair, are willing to reconsider based on the evidence.

In this case we’re dealing with a senior editor at Open Zion, so not some raving lunatic who managed to slip a piece by the editors, but someone involved in shaping the message readers get from this blog. The language and the reasoning are perfect examples of lethal journalism on the defensive.

Press Advocates: Israeli Report On Al-Dura Affair ‘Absurd and Unacceptable’
by Ali Gharib May 23, 2013 12:00 PM EDT

A September 30, 2000, file combo of TV grabs from France 2 footage taken during Israeli-Palestinian clashes in Netzarim in the Gaza Strip shows Jamal al-Dura and his son Mohammed, 12, hiding behind a barrel from Israeli-Palestinian cross fire. (AFP / Getty Images)

This week, the Israeli government released a report aimed at discrediting the story of a shooting death amid riots in the Gaza Strip in 2000 (yes: 13 years ago). In the incident, 12-year-old Muhammad Al-Dura was reportedly shot and killed by Israeli forces while cowering behind his father. The incident gained prominence after the French television channel France 2 ran a report showing footage of Al-Dura’s apparent shooting. The young boy became a symbol of the Second Intifada. The new document from the Israeli government sought to undermine the original French report and the reporter who produced it, the French-Israeli journalist Charles Enderlin. The Israelis initially said its military’s gunfire caused the death [sic], but within weeks blamed Palestinian gunfire instead. By 2007, the Israeli government already declared the boy’s death at Israel’s hands a “myth.” Now, a respected press advocacy organization is coming to Enderlin’s defense in his battle with the Israel’s Ministry of International Affairs and Strategy.

Reporters Without Borders Comes to Enderlin’s Aid: The Smear Defense

Among the defenses of Enderlin’s Al Durah story comes from an organization that considers itself “Reporters without Borders,” a variant of “Doctors without Borders,” and a “Human Rights” NGO that shares much of the agenda of the other global, progressive organizations of this kind. (When Reporters without Borders first launched it’s annual report on press freedom, it gave Israel a lower rating than the West Bank, a rating that would send most Palestinians into either fits or laughter or tears (depending on whether they wanted a decent society or not). Here note the lack of substance from an organization that considers itself a voice for the profession.



Charles Enderlin

Read in Arabic (بالعربية)

The Israeli government has just published a report of its investigation into French TV station France 2’s controversial coverage of 12-year-old Palestinian Muhammad al-Durrah’s death during rioting in the Gaza Strip on 30 September 2000 and the disputed claim that he was killed by a shot fired from Israeli positions.

The report’s release came three days ahead today’s announcement by a Paris appeal court that it will finally issue its ruling on 26 June in the defamation case between France 2’s Jerusalem correspondent, Charles Enderlin, and Media Rating founder Philippe Karsenty, who suggested that the teenager’s death was staged.

The Israeli report, which is very critical of France 2’s staff, was produced by a committee consisting of representatives of various ministries, the police and the Israel Defence Forces. It was appointed by Prime Minister Benyamin Netanyahu last September.

“While the Israeli government has the right to respond publicly to a media report it regards as damaging, the nature and substance of this report are questionable and give the impression of a smear operation,” Reporters Without Borders secretary-general Christophe Deloire said.

Not clear whether Deloire has read the report, and if so, that he did more than realize that it was strongly critical of Enderlin. But unlike real smear tactics, all the criticism is considered, documented and reasoned. So what, in Deloire’s mind distinguishes “smear” from “criticism”?

Derfner’s Brand of Kool-Aid: You Gonna Believe me or your Lying Eyes?

Really didn’t want to do this. Have responded thrice in the Spring of 2008 to Dernfer’s rattling his cage about Al Durah – here, here, and here – and I probably should leave him to rattle in peace. But there’s something about his tone which I think is particularly revealing, and that readers should be aware of when they hear it. It’s the sound of a lethal journalist being denied his foundational myth.

And the irony is that, at the end of the article, he concedes major terrain in the argument, even as he maintains his tone of contempt… a little like the naked emperor who, realizing everyone knows he’s naked, continues his charade showing even more disdain for the crowd.

In the following article there is not one substantive argument, only one case where Derfner grapples (unsuccessfully) with the empirical evidence (which I’m beginning to think he hasn’t watched – or watched peremptorily). It’s all about name-calling (when it happens to them, people like Derfner like to use the word “smear,” as in the critics are “Desperately smearing Goldstone“), and circuitous arguments all drawn directly from Charles Enderlin. In some senses, the best parallel to Derfner’s prose is the Vultures, except that Derfner does it in public.

Warning in advance. This is long. I will extract the key issues for an article next week, but each of the elements of Derfner’s article deserve analysis, if only because so many people, especially journalists, share his attitude.

On the al-Dura affair: Israel officially drank the Kool Aid

A look at the right-wing conspiracy-nut thinking that informed this week’s blue-ribbon report on the infamous 2000 killing of a Palestinian boy in Gaza. 

In the 13 years since Muhammad al-Dura was killed in an Israeli-Palestinian shootout in Gaza while cowering behind his father, masses of right-wing Jews have eagerly embraced a conspiracy theory of the 12-year-oid boy’s killing – that it was staged, a hoax perpetrated by Palestinians to blacken Israel’s name. This theory, promoted most avidly by Boston University Prof. Richard Landes and French media analyst Philippe Karsenty, depends on a view of Palestinians being superhumanly clever and fiendish, and a view of reality that comes from the movies.

As I noted at your site: The difference between you and me is you think the journos are too sharp to be fooled by anything unless it’s a major conspiracy, whereas I, looking at the evidence, sadly come to the conclusion that the Palestinians can put out the shoddiest crap (Talal’s pathetic 60 seconds) and our journos (led by the lethal journalists who pass on anything the Palestinians cook up) will gobble it up. Given your long career as one who regularly feeds these Palestinian lethal narratives to your readers as news, it’s probably no surprise that you need to believe in the necessity of conspiracies that can’t exist, in order to keep on trucking.

The mentality here is essentially the same one that drives the 9/11 “truthers,” the anti-Obama “birthers,” those who say the Shin Bet assassinated Rabin, or those who say ultra-rightists assassinated JFK – a fevered imagination activated by political antagonism that knows no bounds. In the right-wing conspiracy theories of the al-Dura shooting, the boundless antagonism goes out to the Palestinians and their supporters.

Aside from comparing the Al Durah scam, where at most a couple of dozen people were necessary to pull it off, with schemes that took massive levels of participants (9-11, Kennedy Assassination), there’s a fascinating reversal embedded in this comment: the boundless antagonism in this conflict comes from the Palestinians, it not only drove the creation of the Al Durah story, but its systematic deployment as an icon of hatred in order to inject a death cult into Palestinian culture. Of course people like me are hostile to this kind of appalling behavior and hostile to people, like you, who, instead of condemning it roundly, constantly run interference for, and encourage it. As often in conspiracy theories, the person accusing the other of secretly evil intentions projects his own behavior and attitudes.

This week, the State of Israel officially joined the movement. Its report on the al-Dura affair adopts the conspiracy theory in full. (To be precise, it adopts the relatively “restrained” conspiracy theory – that the al-Duras were never shot. The other, wholly unrestrained conspiracy theory in circulation holds that the Palestinians killed the boy deliberately to create a martyr.)

Welcome, Refugee from rekaB Street: Shmuel Rosner’s Mea Culpa

In the flood of commentary and analysis of the Al Durah controversy, I’ve tried to fisk the most important typical responses. And of course, I have a backlog of articles to fisk. But this one by Shmuel Rosner jumped to the top of the pile because of its honest reappraisal. It helps to understand some of the factors that played at the time the story broke, and answer Vic Rosenthal’s question:

Why didn’t then Defense Minister Shaul Mofaz and then Prime Minister Ehud Barak demand that all the footage shot by France 2 on that day be placed at Israel’s disposal to do a proper investigation?
Before adding my commentary to Rosner’s mea culpa, I’d like to acknowledge the courage involved in this piece, and the remarkable fact that the New York Times published it. As someone laboring in the wilderness for a decade, all I can say is, this is unexpected.

The Skeptic’s Curse

On Oct. 6, 2000, Palestinian boys in the Gaza strip walked past graffiti representing Muhammad al-Dura as he was shown in a television report.Ahmed Jadallah/ReutersOn Oct. 6, 2000, Palestinian boys in the Gaza strip walked past graffiti representing Muhammad al-Dura as he was shown in a television report.

TEL AVIV — In late September 2000, at the beginning of the second Palestinian intifada, the French TV station France 2 aired some 60 seconds of footage allegedly showing the killing of a Palestinian boy in the Gaza Strip.

Muhammad al-Dura, who was 12 at the time, and his father are shown caught in an exchange of fire between Israeli soldiers and Palestinian fighters. The boy cowers behind his father, with what sounds like gunshots crackling in the background. Smoke then blocks our view. When it lifts the boy is flattened, listless, and his father is lying against the wall, apparently in serious physical distress. The footage soon became one of the most memorable and heart-wrenching of the bloody Israeli-Palestinian conflict.

No one knows what happened exactly at the Netzarim Junction that day. The French broadcast claimed that gunfire from Israeli soldiers killed the boy. That version of the facts immediately became the official Palestinian account. Israel did not accept responsibility, nor did it deny being involved. And so the French-Palestinian narrative stuck.

But this Sunday, the Israeli Ministry of Strategic Affairs released a report undermining that account. The document concludes there is “strong evidence” that Muhammad and his father “were not hit by bullets at all in the scenes filmed.” It also details many errors, omissions and open questions in the widely accepted narrative of the event.

I first heard that there might be a problem with the al-Dura story soon after the incident. I was the head of the news division at Haaretz at the time, and a young reporter approached me to say that a high-ranking official at the Israel Defense Force would be staging, in front of a crew from “60 Minutes,” a re-enactment of the shooting to prove the French and Palestinian chroniclers wrong.

I believed the initial story about al-Dura, and I was highly suspicious of the motivations of anyone attempting to disprove it.
Note a few things here. “I believed the initial story about al-Durah.” This readiness to believe the worst of the Israeli army – that they’d target a father and child and rain down bullets upon them, was pervasive, particularly among the journalists who were most proud of their self-critical attitude. As Bet Michael said to me in November of 2003 (after I had studied with Shahaf and seen the France2 raw footage with Enderlin),

BM: 100%. The israelis killed the boy.
RL: Really? Are you aware of the investigation and its findings?
BM: The investigator was a nut… some engineer with the army who argued a conspiracy theory that he kid committed suicide.
RL: Suicide?
MS: (to me while BM waxed eloquent to NB)
NB) He’s being sarcastic.
RL: Were you being sarcastic?
BM: Not at all. I meant every word.
RL: Suicide?
BM: Oh, that was sarcastic, but since then the IDF has killed over 200 palestinian children, you can check with B’tselem.

Here’s a close-up view of the world of aggressive lethal journalism, backed by their “researchers” who systematically compile the lethal narratives. At the time I did not realize it, but I should have after Jenin in 2002, that the lethal journalists – in the case of many, probably not even knowingly – were now dominant in the journalistic scene in Israel.

Enderlin: “What would they say in Gaza if I didn’t report that the Israelis killed him?”

enderlin schwartz quote

One of the more scandalous episodes of the Al Durah Affair came about after the judges saw the rushes and Karsenty won his appeal, much to the astonishment of the journalistic community who, under the aegis of Jean Daniel of Le Nouvel Observateur, put together a petition in his support. Below is a discussion of this development from an earlier post on Public Secrets (“they stage stuff all the time”) and Journalism.

In it I quote a remarkable response to Ha-aretz reporter Adi Schwartz’ question to Enderlin, “Why say ‘target of fire from the Israeli position” [when you didn’t at the time have any evidence], to which Enderlin responded, “what would they say in Gaza if I didn’t report that the Israelis killed him?” This is an astonishing quote, whose discussion I’ll delay to after the discussion of the “Nouvel Obs Petition.”

But then the “friends of Charles” did something remarkable and remarkably foolish. They put up a letter of support for their colleague that bemoaned the “campaign of hatred and vilification” that had dogged his steps for lo! these seven years… accusing him of a hoax when he told the world that the boy was killed by fire coming from the Israeli position. The court’s decision, they declared, surprised and worried them: surprised, because the court “granted the same credibility to Karsenty,” a mere civilian, as it had to Enderlin, the veteran reporter “known for the seriousness and rigor of his work, who exercises his profession in sometimes difficult conditions”; worried, because the court’s decision “gives a ‘permission to defame’ journalists, which would permit anyone, in the name of ‘good faith’ and ‘the right of free criticism,’ to strike with impunity at the ‘honor and reputation of information professionals.’” This, they concluded, coming “at a time when the freedom of action of journalists is the object of repeated attacks,” would undermine “this fundamental principle, pillar of democracy” and therefore they “renew our support and solidarity with Charles Enderlin.”

The text of this petition, signed by many, is as revealing as the Cristiano letter both in its complete indifference to the public secret that the Cristiano letter revealed about the systematic intimidation of the correspondents in the field. Perhaps that’s what the petition meant by “difficult circumstances” that their “veteran reporter” sometimes operated in. But somehow (unless one posits deliberate deceit), it could not occur to them that their friend was systematically misrepresenting the “terrain” he knows so well, that he would misreport events because “what would they say in Gaza if I didn’t report that the Israelis killed him?

On the contrary, the petition was written and signed by people who showed no interest in the evidence, who believe that their colleague should be given superior credibility because he is their colleague. And they clearly think that freedom from criticism by their readers guarantees their freedom of speech. It would be hard to imagine a more blatant expression of a privileged corporatist mentality redolent of the ancien régime. Ben Dror Yemini compares them to the “anti-Dreyfusards, who also stubbornly clung to the first version.”

And they just reared their ugly head again, the usual lethal suspects – journalists, photographers, and “Human Rights” NGOs, who call themselves the Vultures on Facebook, in response to the Kuperwasser Commission’s threat to their axiomatic belief: Al Durah is true. On rekaB Street.

And all this operates within the Augean Stables, whose parameters are

  • Palestinian intimidation (part of a larger context of the willingness of the “weak” in asymmetrical warfare to resort to violence)
  • journalistic self-esteem/honor-shame concerns about being “looking honorable”
  • advocacy for the underdog to the point of underdogma as a resolution to the dilemma.

Here Enderlin reveals that in the journalist’s daily and constant struggle navigating between loyalty to his sources, and loyalty to his audience, professional scruples of the most elemental sort – heavy accusations need heavy corroborating evidence – answered to the people of Gaza and neither to Israel, nor even to his professional standards. And the ease with which both he expresses it and Adi Schwartz accepts it, illustrates just how encrusted these bad attitudes had become.

Apparently, the Haaretz translators of this article understood that this comment was too revealing for the rest of the world, and cut the key phrase in its English version:

A.S.: In hindsight, is it possible that you were too hasty that evening?

C.E.: I don’t think so. Besides, the moment I saw that nobody was asking me anything officially, I started feeling more strongly that the story was true.

Daniel Leconte was quite indignant about the public secret of the staging: “You [France2] may know it [that staging happens all the time], but the public doesn’t. But then, reportedly, Jacques Attali told him to stand down and both he and Denis Jeambar used the excuse of Juffa’s leaked report of their encounter to bow out. Two more Zolas that never happened.

Answer to Vic Rosenthal’s Good Question about Al Durah

Subtitle to

Why was the IDF (and Karsenty) Abandoned in the Al Dura Affair?

Why didn’t then Defense Minister Shaul Mofaz and then Prime Minister Ehud Barak demand that all the footage shot by France 2 on that day be placed at Israel’s disposal to do a proper investigation?

Because back then, it was unthinkable. I had to do Pallywood before Al Durah (2005-6) because people literally couldn’t believe that “staged” was even a possibility.

Even if they did believe, Enderlin had told everyone that he had more material he didn’t publish because it was “too horrible to see” – the famous “death throes.” In one move, he explained why he edited the original footage and, by invoking the “public’s sensibilities” he was able to implicitly blackmail me. The Israelis were afraid of what was on the tapes, and afraid that if they asked for it, he’d release the rest of the world.

What shocked and outraged Esther Schapira into her second movie was seeing the rushes in Paris in 2007, and realizing that there were only 60 seconds of the Al Durah sequence. She confronted Enderlin outside the court, and he just shrugged her off. I argued with the Israelis from the moment I saw them that there was nothing to afraid of in the tapes, but by then the attitude of fear of a reprisal had become pervasive.

Miri Eisen asked me if I thought it was staged. When I said yes, she said, “end of conversation.” When I asked her if she would like a crack forensic team to examine any future footage of Israeli carnage before she had to face the cameras in case it were clearly a fake (this was after Lebanon and Kafr Qana), and she said, “no.”

As you can imagine, we didn’t have lots to say to each other.

The Al Durah Affair: What makes journalists behave so badly?

The Israeli government finally came out with a report – thirteen years late – on the Muhammad al Durah affair. It’s thirteen years late. But not too late. It can never be too late to take on so nasty a tale, and particularly from the perspective of any journalists, this may be the biggest hoax in modern history – at once the longest and the most damaging to everyone but the war mongers.

The scandal today is not that the Palestinians faked it. We’ve seen them at work time and again, exploiting every occasion to paint the Israelis as child-killers, even when they themselves killed their children. The scandal today is, thirteen years later, the journalists themselves not only have not confronted their shocking initial failure – dupes of a cheap fake – but their continued refusal to reconsider even as they continue to fall dupe to subsequent hoaxes. On the contrary, the go on practicing the kind of “lethal journalism” that the Al Durah affair epitomizes – injecting the information circulation system with malevolent lethal narratives designed to incite hatred, vengeance and war.

How many of the journalists who have written about this report have even seen the evidence? I’m betting, although I’d be glad to be proven wrong, that the Daily Telegraph Middle East correspondent, Robert Tait hasn’t even seen the evidence that the Israeli report analyzes. If so he’d be like so many of the journalists who signed the petition protecting Charles Enderlin from criticism from – horrors – non-journalists.

In part this is the Israeli government’s fault. They should have held a press conference and forced the journalists to look at the damning evidence. But anyone who wants to examine it can consult the best (only) compendium of the evidence at The Al Durah Project. Once they’ve viewed the evidence, they can move on to the analysis.

Tait, however, prefers a different line, one taken by a number of journalists who do not want to confront the unhappy truth that the community of journalists – including many Israeli ones – has, willy nilly, carried on a devastatingly damaging fraud for over a decade, despite the overwhelming evidence that it’s not only staged, but very badly done.

On the contrary, to inform his readers what to think of this new report, he goes for Charles Enderlin’s “conspiracy theory.” And to do so, he interviews the director of one of the most far left media sites (the equivalent of FAIR or Media Matters in the USA), on whose board Charles Enderlin sits.

“I believe [italics mine] that what we saw on the France 2 news item was exactly what happened and the camera caught exactly what happened,” [Yizhar Be’er] told The Daily Telegraph. “It is mission impossible to fake such a huge event. Nobody, least of all the Palestinians, can create such a fabrication.”

Now despite Tait’s assuring his readers that Be’er and his organization “have extensively studied the case,” their site shows no evidence of such a study.

Be’er’s use of the word “believe” may give us a clue to his astonishing statement that the camera caught exactly what happened (by which presumably he means what Charles Enderlin says happened). As Jon Randall told Anne-Elisabeth Moutet:

Charles Enderlin is an excellent journalist! I don’t care if it’s the Virgin Birth affair, I would tend to believe him. Someone like Charles simply doesn’t make a story up.

Neither Randall, nor Be’er could have seen the evidence and made such professions of belief. Even if you don’t want to see it, even if you want to claim it’s not staged, it’s impossible to look at the footage Talal Abu Rahma shot and insist that it confirms Enderlin’s narrative, not the “targeted by fire from the Israeli position” nor the “the child is dead” when twenty seconds later he’s moving quite deliberately. Asked how he could proclaim the child dead two scenes earlier, Enderlin replies:

I’m very sorry, but the fact is the child died. Maybe not at the precise moment I showed. But this is the way I do a story. “The child is dead,” is a statement. What’s your problem with it?

Not looking at the evidence is bad enough. But using a conspiracy theory to excuse it just compounds the problem. Be’er’s comment illustrates exactly what’s wrong with the current media scene:

“It is mission impossible to fake such a huge event. Nobody, least of all the Palestinians, can create such a fabrication.”

Be’er (and Enderlin whom he’s channeling) assume that the Palestinians are too incompetent to fool them, and only a massive conspiracy – which they assume couldn’t happen – could have fooled them. Enderlin, confronted with the extensive staging visible in his own cameraman’s footage, responded, “Oh they do that all the time.” But dismissed the possibility they did it with Al Durah: “they’re not good enough” – a comment echoed in Be’er’s “least of all the Palestinians.”

The sad thing, the pathetic thing, is that it didn’t take much to fool them. If I were a professor of videography and a student came to me with this footage, I’d give him an F: get better focus, have the kid look wounded rather than stretched out, have him clutch his stomach rather than his eyes, give him some blood to spill, don’t break it up into short clips. It turns out it’s “mission easy” to put together a shoddy piece and, as long as it’s the kind of story for which too many Westerners and way too many journalists have an insatiable appetite – lethal narratives about Israel – they’ll bite at the poison meat no matter how rancid, no matter how ultimately self-destructive for their own profession and society that depends on them.

The conspiracy theory depends on the idea that the news media is full of sharp, skeptical professional journalists who can’t be fooled easily and it would take a massive and elaborate scheme to do so. The story, alas, is the opposite: no need for conspiracy, not even for high quality staging. Apparently the journalists, like Charles Enderlin, are so used to looking at this staged material that they no longer see it as anything but “reality.” As Enderlin put it to Esther Schapira of ARD:

This is not staging, it’s playing for the camera. When they threw stones and Molotov cocktails, it was in part for the camera. That doesn’t mean it’s not true. They wanted to be filmed throwing stones and being hit by rubber bullets. All of us — the ARD too — did reports on kids confronting the Israeli army, in order to be filmed in Ramallah, in Gaza. That’s not staging, that’s reality.

This comes from a man who’s “gone native.” Staging is reality in the Palestinian world, and apparently his too. Enderlin has the famous quote from Tom Friedman at the top of his blog: “In the Middle East, if you can’t explain something with a conspiracy theory, don’t bother.” For Charles, if your own incompetence has put you in a terribly embarrassing situation, cry conspiracy theory. And count on journalists like Jon Randall and Robert Tait, and all the people who work on blind faith, to give him support. And alas, just as the Palestinians are right that they can put anything (French: n’importe quoi) out and have the Western media snap it up, so Charles Enderlin can make the most outrageous comments (at least where professional journalism is concerned), and have his colleagues circle the wagons.

Alas for Western civilization. Democracy and a free and honest press were such a good idea.

On how not to do a story: Daily Telegraph’s Robert Tait fisked

When the Daily Torygraph goes after the Al Durah investigation, it’s clear we’re dealing with an ecumenical movement in Europe that won’t let go of it’s moral Schadenfreude. Heaven forbid the Israelis are not guilty of killing that symbol of their brutality. Below, the Daily Telegraph’s Middle East Correspondent fisked.

Symbolic intifada death of boy did not happen, says Israel

A 12-year-old boy caught up in a notorious gunfight between Israel’s forces and Palestinian militants during the 2000 intifada may not have died in the event and was not hit by Israeli fire, a government inquiry has claimed.

By Robert Tait, Jerusalem

3:27PM BST 20 May 2013

It was the searing image that came to define the Palestinian intifada; a 12-year-old boy cowering in terror next to his father in the middle of a gunfight just minutes before being killed by an Israeli soldier’s bullet.

Now Israel has labelled famous footage supposedly depicting Mohammad al-Durra’s last moments “a blood libel” after publishing an official report that says he may have not have died at all and that he was never hit by Israeli gunfire.

An investigation commissioned by Benjamin Netanyahu, Israel’s prime minister, has concluded that the episode may even have been fabricated or staged for propaganda purposes.

Television coverage of Mohammad and his father, Jamal, desperately seeking cover behind a wall after being caught in the crossfire at Netzarim Junction in Gaza in the early phases of the second Palestinian uprising were beamed around the world in September 2000.

It was widely assumed that the boy had died after being wounded in the stomach, with Israeli officials initially accepting that one of their soldiers may have fired the fatal shots in the “fog of war”.

Yuval Steinitz, Israel’s strategic affairs minister, presenting the new report, reversed that verdict by calling news coverage of the incident “a blood libel against Israel, alongside other blood libels like the claims of an alleged massacre in Jenin [in 2002]”.

I would not have used blood libel, although I do think its defensible. They’re really both excellent examples of of a more generic phenomenon of “lethal narratives,” that is stories told with the intention of arousing hatred and a desire for revenge against the accused. The report harshly (and, in my mind, completely justifiably) criticizes Charles Enderlin for his report whose narrative – the boy and father targeted by the Israelis, the boy killed – was repeatedly contradicted by the very footage that he systematically altered in order to make his claims plausible. And then the report goes on to criticize the influence this kind of reporting has had on journalistic standards when covering the conflict between Israel and its neighbors.

Indeed, the lethal journalism that systematically feeds Palestinian lethal narratives into the information circulation system of the West as news, which had already made its presence known since Lebanon in 1982, become a dominant school after Enderlin’s report of September 30, 2000: the era of Al Durah Journalism.

Fisking Rachel Shabi: How Dare the Israelis Suggest Palestinians Lied!

When the Guardian came out with their first article on the Israeli report on Al Durah, I thought that even though it was done by Harriet Sherwood, it was fairly neutral. I should have known that CiF would deliver the goods. Below the reaction of Rachel Shabi, with fisking.

Muhammad al-Dura and Israel’s obsession with the propaganda war

A report suggesting the death of the boy may have been faked was all spin, disregarding Palestinian testimony
Jump to comments (76)
Muhammad and Jamal al-Dura

Footage from the France 2 report showing Muhammad al-Dura and his father, Jamal. Photograph: EPA

If Israel’s government is to be believed, Palestinians have sunk so low as to be capable of faking their own deaths.

“So low?” Lots of people and lots of governments have faked deaths. It’s not a particularly heinous or rare phenomenon. But wait, the Palestinians have done much worse: they’ve killed their own children and then made a media circus of trying to blame Israel.

Or wait, maybe the Israeli accusation of fakery is itself the indication of a horrifying new nadir. An Israeli report has concluded that Muhammad al-Dura, the 12-year-old Palestinian whose death in 2000 in Gaza was captured by a French public TV channel, was not killed by Israelis – and may in fact not be dead at all.

Back then, a short film of Muhammad and his father, both caught in a shootout, trying helplessly to shelter against a barrage of gunfire, was narrated by French Channel 2 correspondent Charles Enderlin and relayed around the world, turning the boy into a symbol of the brutality of the second intifada and the Israeli occupation. Now, Israel says those same images are yet more proof of a global campaign to delegitimise Israel – and are, additionally, attempts to invoke the blood libel.

Not invoke… deploy. If you look at the particularly vigorous life of all kinds of blood libels in the wake of Al Durah, from the extensive TV Ramadan series (2005) to the new variants on the old European variety (Muslim blood for Purim Humantashen in addition to Passover matzah), the blood libel is in the cognitive bloodstream of the Arab world.